CHOOSE ONE OF THREE PRINCIPLES OF FURNITURE SETUP. Everyone knows that it is better to refuse to place furniture along the walls. But what are the alternatives? The first option is a symmetrical arrangement, that is, around a certain point in the room (for example, the center of a room or window). The second is asymmetric, that is, not amenable to logic. The third is a circular arrangement, which differs from symmetrical in that the reference point may be a minor interior detail. For example, a chandelier or drawing on the carpet. CHEAP AND EXPENSIVE PERFECTLY BETWEEN. Show more courage when combining items from radically different price categories. Such a mixture will also benefit from an expensive thing that will look even more luxurious in a democratic environment, and cheap, acquiring the nobility that it lacks. THE RIGHT DECOR IS THE RIGHT PLACE. A decor item that is perfect for a particular interior looks different in different places. We recommend trying several decor options before choosing the final one. IMPORTANCE OF THE VISUAL ROOM CENTER. One of the key tasks a professional decorator faces is determining the visual center of the room. This is the point on which the gaze is concentrated first. For example, a large mirror, an unusual piece of furniture, or a lamp can act as a visual center. A room with a visual center looks more harmonious and orderly than not having it.
"YES" SEASONAL CHANGE OF PARTS. Finding those who have in stock several sets of curtains and bedspreads is an extremely difficult task. Very vain. After all, such a simple technique as a seasonal change of textiles can radically transform the interior. SMALL PHOTOS - ON A TABLE OR SHELVES, BUT NOT A WALL. Many miniature photos or other images decorating the wall are perceived as visual noise. But on the table or shelves they look appropriate. It is advisable to arrange such decor in similar or identical frames. MORE FANTASY WHEN CHOOSING PLACES FOR ART SUBJECTS. The picture hanging over the sofa is a standard variant of interior decoration with paintings. But in this case, she is behind the back of most people in the room. Select for the picture a place where they will really look at it. For example, in the corridor.